By and with Cristiana Morganti
dancer of the Tanztheater Wuppertal Pina Bausch
The soloist dancer for 18 years of the Tanztheater Wuppertal, Cristiana Morganti proposes a journey into Pina Bausch’s universe seen from the dancer’s perspective.
How to prepare a solo performance? What is the relationship between excitement and movement? When do movements turn into dance? What’s the connection between dancer and scenography? And between dance and music? How do people especially create the mysterious and magic link between artist and audience? Cristina Morganti through her live performance pieces brought from the Tanztheater repertoire reveals her human and artistic journey with the great German choreographer, leading her audience to discover the wide dedication, creativity, tenacity and attention to detail that are intrinsic to Pina Baush’s work.
Presented for the first time February 27, 2010
Ruskaja Theatre - National Dance Academy - Rome
Friday, October 1 2010 h. 19:00
Opening of the exhibition
Exhibition of posters, pictures and archived documents from the Andres Neumann Collection Legacy – The Funaro Library. Andres Neumann has represented the Tanztheater Wuppertal by Pina Bausch for many years in Italy.
h. 21:00
Leonetta Bentivoglio presents
Leonetta Bentivoglio is La Repubblica journalist and author of several books on the work of Pina Bausch.
Reservations required: 0573 977 225
Friday and Saturday at 19.00 and Sunday h. 18:30
Projection of the documentary
conception and interviews Maria Francesca Pedroni
director Maria Mauti
manufactured by Classic TV, Sky
Teatro de los Sentidos
Oracles, the masterpiece by Enrique Vargas and Teatro de los Sentidos, comes back to Italy after 10 years. The show, the first national Funaro, presents a new look after a long search process.
Director: Enrique Vargas Artistic coordination: Patrizia Menichelli Coordination of actors: Giovanna Pezzullo & Patrizia Menichelli Imaginary Space Design: Gabriella Salvaterra Labyrinth Design: Umberto Franchini and Gabriel Hernandez Installazioni: Umberto Franchini Costume Design: Patrizia Menichelli Graphic Design: Alekos Lighting Design: Francisco Javier Garcia Soundscape Design: Stephane Laidet Olfactory landscape: Giovanna Pezzullo Drama Support: Rosa Romero
Actors-inhabitants: Lorenzo Banchi, Giulio Biancalani, Massimiliano Barbini, Romina Breschi, Lisa Cantini, Antonella Carrara, Rossana Dolfi, Umberto Franchini, Francisco Javier García, Francesca Giaconi, Gabriel Hernández, Patrizia Menichelli, Giovanna Pezullo, Gabriella Salvaterra.
Technical direction Gabriel Hernández and Fabio Giommarelli
Residences Project Funaro 2011
coproduction Teatro di Buti / il Funaro
Caterina Benincasa and Beatrice Bugelli, or: St. Catherine of Siena and Beatrice from Pian degli Ontani, the poet shepherdess, have never met: they're divided by centuries of history and merge them an infinite number of thin and fascinating wires. With their help, I tried to weave together these wires to tell the life of these two stubborn Tuscan communicators.
In the scope of the Patto project for the reorganization of the Tuscan theater system
A danced conference on the poetry, the technique, the creativity of Pina Bausch
On the occasion of the workshop "Theatre for the Dance / Dance for the Theatre", led to Funaro with Kenji Takagi, Cristiana Morganti returns with his extraordinary performance to tell his artistic and human story with the great German choreographer and let us find out how much dedication, imagination, perseverance, attention to detail are enclosed in the language of movement created by Pina Bausch.
Saturday 12:
SALA 2 h. 19.00 Projection Cafe Muller by Pina Bausch
CINETANDEM Projection request A coffee with Pina a documentary by Lee Yanor
Il Teatro del Carretto
animators Giacomo Pecchia, Giacomo Vezzani, Jonathan Bertolai
actress Elena Nene Barini
Biancaneve is the first performance by Teatro Del Carretto. Designed and built in '83, accepted immediately as a masterpiece, has faced over these twenty-eight years with the public belonging to different cultures, from Egypt to Japan, Israel to Russia ... everywhere always collecting authentic enthusiasm and proving to overcome every language obstacle and every passing time. The show is almost a manifesto of poetic theater then processed by the Company with the orchestration of elements that will later be developed and those that are representative of craftsmanship - scenic components, objects, bodies and motions, musical lines, voices and noises , lights, textures and colors .... - Simple keys on a keyboard magic organized to achieve the "dream theater".
With the support of:
Fondazione Banche di Pistoia e Vignole e Fondazione Giorgio Tesi Onlus
theatrical reading
- Antoine de Saint-Exupèry
stage sounds Rodolfo Rossi
On the occasion of the artistic residence of Sonia Bergamasco, Emanuele Trevi and Giuseppe Bertolucci for the stage production of Karenina, prove aperte di infelicità, which will be represented in February, il Funaro hold the Little Prince reading. One of the most mysterious and fascinating stories of literature of all time, aimed at adults, to all those adults who can listen.
Teatro Franco Parenti - Sonia Bergamasco
direction Giuseppe Bertolucci
lights Cesare Accetta
The genesis of a great text like Anna Karenina. The road that leads from the first sketches to the accomplished work is an unparalleled testament around the origin of the work of art.
Anna is not an invention, but an obsession: a ghost that resides into Tolstoy's mind, forces him to question its meaning, attracts and repels him with the typical ambivalence of the supreme experiences.
More than ten years after "L' amore probabilmente" - his last fiction film, presented at the Venice Film Festival - Giuseppe Bertolucci returns with the same protagonist, to go throw a subtle shadow line that separates reality from imagination.
Sabato 11 :
SALA 2 ore 19.00 Projection Arca russa by A. Sokurov
CINETANDEM Projection on request Lullaby by Vladimir Garanin (animation)
concert for voice and cello
The concert Madrigale appena narrabile repeats a vocal score born in 2007 and opens today at the involvement of new entries in a laboratory exploration of the molecular technique of the voice, that prelude to the performance.
Through a vocal experimentation that examines the phonic substance of each units voice, and every vocal step, Chiara Guidi will prepare the participants of the concert performance, working seven days in intensive analytical examination of the score that combines the choral recitation and musical development of many voice connections.
In this twenty-first century madrigal Chiara Guidi meets the word once again in his relationship with music. Does not use it as support for bringing up the sound, but its meaning does explode, resigned and helpless-looking hidden names. The consistency of the text is just narrable, shortly after or before the silence. A word poor, deeply attentive to those who remain, after all.
Jos Houben, founding member of Complicite of London and teacher at the 'Ecole Internationale de Théâtre Jacques Lecoq' in Paris, returns to il Funaro with his show talking seriously about what makes you laugh.
In this one-hour sharp, witty and engaging performance , Jos explains and illustrates the mechanisms that cause laughter in all of us. His solo 'L 'Art du rire' has been represented in many countries and last season was sold out for over a month at the Théâtre du Rond-Point in Paris.
Saturday 28 h. 15.00/18.00
Meet Jozef HOUBEN - How comes the comedy gesture?
Saturday 28:
SALA 2 h. 19.00 Projectio Il capro espiatorio - Il teatro – Poliziotti. Three short films by Buster Keaton
CINETANDEM Projection on request Big Business a film by Stan Laurel and Oliver Hardy
www.ecole-jacqueslecoq.com
